Field Recording Workshop with Jana Winderen & BJ Nilsen

From 10–13 February 2016, Sonic Acts hosts a four-day field-recording workshop by renowned sound artists Jana Winderen and BJ Nilsen. This workshop is aimed at artists, composers and musicians with a background in sound and field recording who would like to expand their understanding and awareness of sound, and enhance their recording skills and their use of environmental sound. The workshop is practice-oriented, and focuses on the methods and processes involved in artistic research. Winderen and Nilsen introduce the practise, listening exercises and the tools. Each day, the participants make sound recordings which they present for critical reflection first to each other, and finally in an informal setting to the public. The heart of the workshop consists of field trips to specific locations in and outside Amsterdam, and the exploration the (sound) ecologies of water environments. Participants are encouraged to bring their own recording equipment. Jana Winderen (NO) studied at Fine Art at Goldsmiths College in London, and has a background in mathematics, chemistry and fish ecology from the University in Oslo. She releases her audiovisual works on Touch. Amongst her activities are immersive multichannel installations and concerts. She has performed all over the world. Jana Winderen researches the hidden depths with the latest technology; her work reveals the complexity and strangeness of the unseen world below us. The audio topography of the oceans and ice crevasses are brought to the surface. She finds and reveals sounds from hidden sources, also those inaudible to humans, as well as those from places or made by creatures difficult to access. BJ Nilsen (SE) is a composer and sound artist based in Amsterdam. His work primarily focuses on the sounds of nature and how they affect humans. Recent work has explored the urban acoustic realm and industrial geography in the Arctic region of Norway and Russia. His original scores and soundtracks have featured in theatre, dance performances and film, in collaborations with Chris Watson, Gaspar Noé, Jóhann Jóhannsson, and others. He co-edited the book+CD publication The Acoustic City (2014), published by jovis. His two latest solo albums Eye Of The Microphone (2013) and The Invisible City (2010) were released by Touch. In 2014, Nilsen collaborated with filmmaker Karl Lemieux on the audiovisual work unearthed, which was presented along with the Sonic Acts publication The Geologic Imagination. Enrolement Only ten people can participate in this workshop. To apply please send a short biography, a motivation why you would like to attend, and your expectations to workshop[@]sonicacts[.]com. The deadline for application is 20 January 2016. Participants must attend the full programme. Late or incomplete applications will not be considered. If we receive more than ten applications, we will make a careful selection in consultation with Jana Winderen and BJ Nilsen. A detailed schedule and more information about how to prepare for the workshop will be sent to the selected participants. Fee Participants pay a €50,- contribution. Lunches will be provided. Participants will receive reduced admission to the Sonic Acts Academy on 26–28 February 2016.

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